Royal Adelaide Show

Another extravaganza!

Part of our spring ritual is to visit the Royal Adelaide Show.  When we went yesterday, it was a beautiful clear day, very crowded and full of things to see.  

We always visit the floral displays, the crafts, the baking, the birds and the Grand Parade.  We always buy a freshly squeezed orange juice, buy daffodils from Hancock's and have tea at the CWA cafe.  I look forward to these simple pleasures every year.

This year, it was the 175th anniversary of the Royal Adelaide Show, something I had to think twice about - 175 years?! 

The bonus this year was a stage show put on in the Goyder Pavilion.   "175 Years of Fashion" promised to be an interesting display of costumes from those years, a fashion parade, or so we thought.  It proved to be a dazzlingly camp dance extravaganza of dubious historical accuracy.  The routines, gymnastics and glitter more than made up for the lapses in detail and the show was well received by the audience of city and country folk who crowded around the stage.

I highly recommend a visit.  The show has a rare connection with the past and is a wonderful opportunity to indulge in nostalgia and to eat lots of sugary food.  I even love the promotional campaign for the show this year.  It has collage, old photographs and flowers - of course I love it!   Here it is;

Vintage Perfume Ingredient Catalogue

Junk shop find

(Extracts from 'Perfumes', a catalogue published by the Societe Chimique des Usines du Rhone, probably in the early 1920s.  From my private collection.)
 
I love reading the 'Perfumes' catalogue.   It contains a descriptive list of a wide range of synthetic perfumes, their benefits over natural essential oils (usually cost and potency), a few recipes for perfumes and a series of photographs of the factories that produced the chemicals.   It's full of possibilities!

I've been thinking for some time about making my own perfumes.   I am ambivalent about synthetic perfumes like the ones listed in the catalogue.  On the one hand, I would prefer to avoid the use of synthetic chemicals as I generally prefer keeping things as natural as possible.  I certainly stick to natural ingredients in the soaps I make. But I'm also aware of the advantages of using alternatives to natural products, particularly where there might be a dwindling or limited supply (like rosewood essential oil). 

I've tried researching various essential oils to check whether the production of the oils are in any way  detrimental to either the environment or the people who live near the resource.  The more expensive oils seem to be obtained from specifically grown crops.  Otherwise, it might be wise if I'm concerned about a particular oil to at least try to source an organic version, or one that is locally produced.

In any event, I still find the catalogue inspiring; it's like looking in a well illustrated cook book that makes you rush out and buy far too many vegetables.  And here's something else I find inspiring - a Holga pic of begonias in glorious late summer colours:

 

As a second thought, below is an extract from 'Perfume' of a perfume recipe for 'Bouquet of Moss Rose':

Firstly, you need to make 'rose spirit' as follows;

"Grain spirit of 94% strength without odour or flavour is reduced to 70% strength by adding Rose water, and then dissolving Rhodinol in this alcohol in the following proportions:

Rhodinol I   20gr

Alcohol 70% 1 litre."

This is the 'rose spirit'.  So, the recipe is:

"Rose Spirit.....................660cc
Extract of Orange flowers....240cc
Tincture of Ambergris........30cc
Tincture of Musk..............25cc
Tincture of Vanilla.............45cc

These ingredients are mixed, shaken and left for 15 days in a well closed bottle at a temperature of 25 degrees to 30 degrees C; it is then allowed to cool, filtered and put into bottles for sale."

I am pleased to say that Shanghai Lil and The Scarlet Fez perfumes will be all-natural and vegan!

Of Worthy Advice and Bad Art

Book finds

While being a lovely sunny day, there is always time to pop into second-hand bookshops and dig up some treasures from dark and dusty shelves.

My recent finds include "The Practical Way to Keep Fit" (ha!) by Harry Roberts and "How to Write, Think and Speak Correctly" (I know what you're thinking, reader) by C.E.M. Joad.  Both are part of Odhams Press Ltd's quaint range of self-improvement books for the Everyman, probably from the 1920s and both have the same lovely endpapers. 

Knowing how to write, think and speak correctly is all very worthy (an' all that), but the guide to keeping fit is my favourite of the two, mainly for its illustrations.  The text is ponderous and preachy and reminds me of being trapped at a party by a perfectly lovely but deadly dull guest.  The illustrations, however, are a bit of a hoot.  They range in quality, staying on the dark side of mediocre for the most part, but some are really very bad!  Some have quite funny captions and others are just, well, inexplicable.

 

You're telling me it does!

Well, that's all very well for him!

 Not even trying.